![]() |
|||||||||||
|
Additional Resources, most of them discovered after completion of the first draft: |
|||||||||||
I first learned about Ruysch in 1996, while reading Suspended Animation: Six Essays on the Preservation of Bodily Parts, a great collection of essays by Gonzalez-Crussi with beautiful photographs by Rosamond Purcell. This book would become one of four indispensable sources: Mother and Child Were Saved: The Memoirs (1693-1740) of Frisian Midwife Catharina Schrader; Dialogo di Federico Ruysch e delle sue morti, by Leopardi; The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age, by Simon Schama; and, of course, Frederik Ruysch's own Opera omnia anatomico-medico-chirurgica (Amsterdam: Janssonio-Waesbergios, 1696-1724), which I consulted at the Getty Institute for more than a year. I also made extensive use of Julie Hansen's Resurrecting Death: Anatomical Art in The Cabinet of Dr. Frederik Ruysch. (12/01/1996; The Art Bulletin) Very gentle whenever I felt clueless and unable to carry on were: Many others I lost track of but I remember vaguely, including: Adam Thorpe - Ulverton Haphazardly, a copy of The Astonishing Hypothesis, Stoppard and Hampton often came to the rescue. |
|||||||||||